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Father Brown is a fictional Roman Catholic priest and amateur detective. He is featured in 53 short stories by English author G. K. Chesterton, published between 1910 and 1936. Father Brown solves mysteries and crimes using his intuition and keen understanding of human nature. Chesterton loosely based him on the Rt Rev. Msgr John O'Connor (1870–1952), a parish priest in Bradford, who was involved in Chesterton's conversion to Catholicism in 1922. Since 2013, the character has been portrayed by Mark Williams in the ongoing BBC Television Series Father Brown. Character Father Brown is a short, plain Roman Catholic priest, with shapeless clothes, a large umbrella, and an uncanny insight into human behaviour. His unremarkable, seemingly naïve appearance hides an unexpectedly sharp intelligence and keen powers of observation. Brown uses his unimposing demeanor to his advantage when studying criminals, to whom he seems to pose no danger, making him a precursor, in some ways, to Agatha Christie's later detective character Miss Marple. His job as a priest allows him to blend into the background of a crime scene, as others can easily assume he is merely there on spiritual business. In early stories, Brown is said to be priest for the fictitious small parish of Cobhole in Essex (although it is never named as the actual location of any of them), but he relocates to London and travels to many other places, in England and abroad, during the course of the stories. Much of his background is never disclosed, including his age, family, and domestic arrangements. Even his first name is never made clear; in the story "The Eye of Apollo", he is described as "the Reverend J. Brown" (perhaps in tribute to John O'Connor), while in "The Sign of the Broken Sword", he is apparently named Paul. Brown's crimesolving method can be described as intuitive and psychological; his process is to reconstruct the perpetrator's methods and motives using imaginative empathy, combined with an encyclopaedic criminal knowledge he has picked up from parishioner confessions. While Brown's cases follow the "Fair Play" rules of classic detective fiction, the crime, once revealed, often turns out to be implausible in its practical details. A typical Father Brown story aims not so much to invent a believable criminological procedure as to propose a novel paradox with subtle moral and theological implications. The stories normally contain a rational explanation of who the murderer was and how Brown worked it out. He always emphasises rationality; some stories, such as "The Miracle of Moon Crescent", "The Oracle of the Dog", "The Blast of the Book" and "The Dagger with Wings", poke fun at initially sceptical characters who become convinced of a supernatural explanation for some strange occurrence, but Father Brown easily sees the perfectly ordinary, natural explanation. In fact, he seems to represent an ideal of a devout but considerably educated and "civilised" clergyman. That can be traced to the influence of Roman Catholic thought on Chesterton. Father Brown is characteristically humble and is usually rather quiet, except to say something profound. Although he tends to handle crimes with a steady, realistic approach, he believes in the supernatural as the greatest reason of all. Background When he created Father Brown, the English writer G. K. Chesterton was already famous in Britain and America for his philosophical and paradox-laden fiction and nonfiction, including the novel The Man Who Was Thursday, the theological work Orthodoxy, several literary studies, and many brief essays. Father Brown makes his first appearance in the story "The Blue Cross" published in 1910 and continues to appear throughout fifty short stories in five volumes, with two more stories discovered and published posthumously, often assisted in his crime-solving by the reformed criminal M. Hercule Flambeau. Father Brown also appears in a third story—making a total of fifty-three—that did not appear in the five volumes published in Chesterton's lifetime, "The Donnington Affair", which has a curious history. In the October 1914 issue of an obscure magazine, The Premier, Sir Max Pemberton published the first part of the story, then invited a number of detective story writers, including Chesterton, to use their talents to solve the mystery of the murder described. Chesterton and Father Brown's solution followed in the November issue. The story was first reprinted in the Chesterton Review in 1981, and published in book form in the 1987 collection Thirteen Detectives. Many of the Father Brown stories were produced for financial reasons and at great speed. Chesterton wrote in 1920 that "I think it only fair to confess that I have myself written some of the worst mystery stories in the world." At the time he wrote this, Chesterton had given up writing Father Brown stories, though he would later return to them; Chesterton wrote 25 Father Brown stories between 1910 and 1914, then another 18 from 1923 to 1927, then 10 more from 1930 to 1936. Father Brown was a vehicle for conveying Chesterton's worldview and, of all of his characters, is perhaps closest to Chesterton's own point of view, or at least the effect of his point of view. Father Brown solves his crimes through a strict reasoning process more concerned with spiritual and philosophic truths than with scientific details, making him an almost equal counterbalance with Sir Arthur Conan Doyle's Sherlock Holmes, whose stories Chesterton read. Compilation books Most collections purporting to be The Complete Father Brown reprint the five compilations, but omit one or more of the uncollected stories. Penguin Classics' 2012 edition (ISBN 9780141193854) and Timaios Press (ISBN 9789187611230) are complete ones, including "The Donnington Affair", "The Vampire of the Village" and "The Mask of Midas". The Collected Works of G. K. Chesterton, vols. 12 and 13, reprint all the stories including the three not included in the five collections published during Chesterton's lifetime. Legacy Although Chesterton himself saw them as ephemeral, the Father Brown stories became his most lastingly popular works, remaining a familiar classic of detective fiction into the twenty-first century. T. J. Binyon, in a 1989 survey of fictional detectives, concluded that Father Brown had achieved a fame nearly as great as that of Sherlock Holmes and Hercule Poirot. As Chesterton was already a well-established literary figure before creating Father Brown, the stories' popularity also had a positive impact on detective fiction as a whole, lending the genre further credibility. Most historians of the Golden Age of Detective Fiction have ranked the Father Brown stories among the best of the genre. Binyon noted that while "the best of the stories are undoubted masterpieces, brilliantly and poetically written", they often hinge on crimes "so fantastic as to render the whole story absurd"; however, "Chesterton's skill as a w.... Discover the Paolo Gulisano popular books. 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