Roy Thomas Gerry Conway Chris Claremont Popular Books

Roy Thomas Gerry Conway Chris Claremont Biography & Facts

Roy William Thomas Jr. (born November 22, 1940) is an American comic book writer and editor. He was Stan Lee's first successor as editor-in-chief of Marvel Comics and possibly best known for introducing the pulp magazine hero Conan the Barbarian to American comics. Thomas is also known for his championing of Golden Age comic-book heroes – particularly the 1940s superhero team the Justice Society of America – and for lengthy writing stints on Marvel's X-Men and The Avengers, and DC Comics' All-Star Squadron, among other titles. Among the comics characters he co-created are Vision, Doc Samson, Carol Danvers, Luke Cage, Iron Fist, Ultron, Yellowjacket, Defenders, Man-Thing, Red Sonja, Morbius, Ghost Rider, Squadron Supreme, Invaders, Black Knight (Dane Whitman), Nighthawk, Havok, Banshee, Sunfire, Thundra, Arkon, Killraven, Wendell Vaughn, Red Wolf, Red Guardian, Daimon Hellstrom, and Valkyrie. Thomas was inducted into the Will Eisner Comic Book Hall of Fame in 2011 and into the Harvey Awards Hall of Fame in 2022. Early life Thomas was born in Jackson, Missouri, United States. As a child, he was a devoted comic book fan, and in grade school he wrote and drew his own comics for distribution to friends and family. The first of these was All-Giant Comics, which he recalls as having featured such characters as Elephant Giant. He was enrolled at a parochial Lutheran school and attended St. Paul Lutheran Church in Jackson. As an adult, Thomas is "not religious" and has been described as a "lapsed Lutheran". He graduated from Southeast Missouri State University in 1961 with a BS in education, having majored in history and social science. Thomas became an early and active member of Silver Age comic book fandom in the early 1960s. Enthusiasm for the rebirth of superhero comics during that period led Jerry Bails to found the fanzine Alter Ego, and Thomas, then a high school English teacher, took over as editor in 1964. Letters from Thomas appeared regularly in the letters pages of both DC and Marvel Comics, including Green Lantern #1 (August 1960), The Flash #116 (Nov. 1960), Fantastic Four #5 (July 1962), Fantastic Four #15 (June 1963), and Fantastic Four #22 (Jan. 1964). Career Marvel Comics In 1965, Thomas moved to New York City to take a job at DC Comics as assistant to Mort Weisinger, then the editor of the Superman titles. Thomas said he had just accepted a fellowship to study foreign relations at George Washington University when he received a letter from Weisinger, "with whom I had exchanged one or two letters, tops", asking Thomas to become "his assistant editor on a several-week trial basis." Thomas had already written a Jimmy Olsen script "a few months before, while still living and teaching in the St. Louis area," he said in 2005. "I worked at DC for eight days in late June and very early July of 1965" before accepting a job at Marvel Comics. The Marvel "Bullpen Bulletins" in Fantastic Four #61 (April 1967) describes Thomas "admitting that he gave up a scholarship to George Washington University just to write for Marvel!" This came after his chafing under the notoriously difficult Weisinger, to a point, Thomas said in 1981, that he would go "home to my dingy little room at, coincidentally, the George Washington Hotel in Manhattan, during that second week, and actually feeling tears well into my eyes, at the ripe old age of 24." Familiar with editor and chief writer Stan Lee's Marvel work, and feeling them "the most vital comics around", Thomas "just sat down one night at the hotel and – I wrote him a letter! Not applying for a job or anything so mundane as that – I just said that I admired his work, and would like to buy him a drink some time. I figured he just might remember me from Alter Ego." Lee did, and phoned Thomas to offer him a Marvel writing test. The writer's test, Thomas said in 1998, "was four Jack Kirby pages from Fantastic Four Annual #2 ... [Stan Lee] had Sol [Brodsky] or someone take out the dialogue. It was just black-and-white. Other people like Denny O'Neil and Gary Friedrich took it. But soon afterwards we stopped using it." The day after taking the test, Thomas was at DC, proofreading a Supergirl story, when Steinberg called asking Thomas to meet with Lee during lunch, where Thomas agreed to work for Marvel. He returned to DC to give "indefinite notice" to Weisinger, but Weisinger ordered him to leave immediately and "I was back at Marvel less than an hour after I first left, and had a Modeling with Millie assignment to do over the weekend. It was a Friday." His employment was announced in the "Bullpen Bulletins" section of Fantastic Four #47 (Feb. 1966) under the heading "How About That! Department" ("Roy's a fan who's made it!"). Thomas later described his early days at Marvel: I was hired after taking [the] 'writer's test', and my first official job title at Marvel was 'staff writer'. I wasn't hired as an editor or assistant editor. I was supposed to come in 40 hours a week and write scripts on staff. ... I sat at this corrugated metal desk with a typewriter in a small office with production manager Sol Brodsky and corresponding secretary Flo Steinberg. Everybody who came up to Marvel wound up there, and the phone was constantly ringing, with conversations going on all around me. ... Almost at once, even though Stan proofed all the finished stories, he and Sol started having me check the corrections before they went out, and that would break up my concentration still further. ... [and] they kept asking me to do this or that, or questions like in which issue something happened, or Stan would come in to check something, because I knew a lot about Marvel continuity up to that time. ... It quickly became apparent to them, too, that the staff writer thing wasn't working, and Stan segued me over to being an editorial assistant, which immediately worked out better for all concerned. To that point, editor-in-chief Lee had been the main writer of Marvel publications, with his brother, Larry Lieber, often picking up the slack plotting of Lee-scripted stories. Thomas soon became the first new Marvel writer to sustain a presence at a time when comics veterans such as Robert Bernstein, Ernie Hart, Leon Lazarus, and Don Rico, and fellow newcomers Steve Skeates (hired a couple of weeks earlier) and O'Neil (brought in at Thomas' recommendation a few months later) did not. His Marvel debut was the romance-comics story "Whom Can I Turn To?" in the Millie the Model spin-off Modeling with Millie #44 (Dec. 1965) – for which the credits and the logo were inadvertently left off due to a production glitch, resulting in this being left off most credit lists. Thomas' first Marvel superhero scripting was "My Life for Yours", the "Iron Man" feature in Tales of Suspense #73 (Jan. 1966), working from a Lee plot as well as a plot assist from secretary Steinberg. Thomas estimates that Lee rewrote approximately half of that fledgling attempt. Thomas' earliest Marvel wo.... Discover the Roy Thomas Gerry Conway Chris Claremont popular books. Find the top 100 most popular Roy Thomas Gerry Conway Chris Claremont books.