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The Letters of Vincent van Gogh is a collection of 903 surviving letters written (820) or received (83) by Vincent van Gogh. More than 650 of these were from Vincent to his brother Theo. The collection also includes letters van Gogh wrote to his sister Wil and other relatives, as well as between artists such as Paul Gauguin, Anthon van Rappard, and Émile Bernard. Johanna van Gogh-Bonger, the wife of Vincent's brother Theo, spent many years after her husband's death in 1891 compiling the letters, which were first published in 1914. Arnold Pomerans, editor of a 1966 selection of the letters, wrote that Theo "was the kind of man who saved even the smallest scrap of paper", and it is to this trait that the public owes the 663 letters from Vincent. By contrast, Vincent infrequently kept letters sent to him and just 84 have survived, of which 39 were from Theo. Nevertheless, it is to these letters between the brothers that is owed much of what is known today about Vincent van Gogh. The only two periods when the public is relatively uninformed are the Parisian period, during which they shared an apartment and had no need to correspond, and a one-year gap in the correspondence from 1879 to 1880, when they had temporarily fallen out over Vincent's career choice. The letters effectively play much the same role in shedding light on the art of the period as those between the de Goncourt brothers do for literature. Background and publication history Theo van Gogh's wife, Johanna van Gogh-Bonger, devoted many years to compiling the letters about which she wrote: "When as Theo's young wife I entered in 1889, our flat in the Cité Pigalle in Paris, I found at the bottom of a small desk a drawer full of letters from Vincent". Within two years both brothers were dead: Vincent as the result of a gunshot wound, and Theo from illness. Johanna began the task of completing the collection, which was published in full in January 1914. That first edition consisted of three volumes, and was followed in 1952–1954 by a four-volume edition that included additional letters. Jan Hulsker suggested, in 1987, that the letters be organized in date order, and undertaking that began in 1994 when the Van Gogh Letter Project was initiated by the Van Gogh Museum. The project consists of a complete annotated collection of letters written by and to Vincent. Exhibition and early publication In the last days of December 1901, running through January 1902, Bruno Cassirer and his cousin Paul Cassirer organized the first van Gogh exhibition in Berlin, Germany. Paul Cassirer first established a market for van Gogh, and then, with the assistance of Johanna van Gogh-Bonger, controlled market prices. In 1906 Bruno Cassirer published a small volume of selected letters of Vincent's to Theo van Gogh, translated into German. The letters Of the 844 surviving letters that van Gogh wrote, 663 were written to Theo, 9 to Theo and Jo. Of the letters Vincent received from Theo, only 39 survive. The first letter was written when Vincent was 19 and begins, "My dear Theo". At that time Vincent was not yet developed as a letter writer – he was factual, but not introspective. When he moved to London, and later to Paris, he began to add more personal information. Beginning in 1888 and ending a year later, van Gogh wrote 22 letters to Émile Bernard in which the tone is different from those to Theo. In these letters, van Gogh wrote more about his techniques, his use of color, and his theories. The letters as literature Van Gogh was an avid reader, and his letters reflect his literary pursuits as well as a uniquely authentic literary style. His writing style in the letters reflects the literature he read and valued: Balzac, historians such as Michelet, and naturalists such as Zola, Voltaire and Flaubert. Additionally he read novels written by George Eliot, Charlotte Brontë, and Charles Dickens, as well as John Keats's poetry, reading mostly at night when the light was too poor for painting. Gauguin told him "that he read too much". Van Gogh scholar Jan Hulsker wrote of van Gogh's letters, "Vincent was able to express himself splendidly, and it is this remarkable writing talent that has secured the letters their lasting place in world literature". Poet W. H. Auden wrote about the letters, "there is scarcely one letter by van Gogh which I ... do not find fascinating". Pomerans believes the letters to be on the level of "world literature" based on style and the ability to express himself. In the letters Vincent reflects different facets of his personality and he adopts a tone specific to his circumstances. At the time he went through a stage of religious fanaticism, his letters fully reflect his thoughts; at the time he was involved with Sien Hoornik his letters reflect his feelings. The letters as chronicle of an artist's life Van Gogh's letters paint a chronicle of an artist's life, with the notable omission of the period when he lived in Paris and therefore had no need to correspond with his brother. The letters can be read as an autobiography of an artist; time spent in Brabant, Paris and London, The Hague, Drenthe, Nuenen, Antwerp, Arles, Saint-Remy and Auvers chronicle his corporal travels as well as his artistic growth. Sometimes Vincent wrote Theo every day—beyond the need to acknowledge financial support, describing England and the Netherlands. He included in the letters sketches of common people, such as miners and farmers, for he believed the poor would inherit the earth. Van Gogh's spiritual and theological thought and convictions are revealed in his letters throughout his life. Sketches from the letters John Peter Russell Australian Impressionist painter; worked with Vincent van Gogh and Claude Monet at Belle-Ile. The Yellow House The Bedroom celebrates Van Gogh’s long-waited occupation of his ‘Yellow House.'" Van Gogh occupied one of the rooms on the first floor next to his guest room, where Paul Gauguin sojourned for nine weeks. The Chair takes the daily object from his bedroom; van Gogh also painted Gauguin’s Chair as the title suggests. He rendered different personalities of Gauguin and himself through artistic styles. The Sower Van Gogh looked at Francois Millet but re-adapted the interpretation of a peasant. He destabilized the lyrical quality of peasantry figures of Millet and sought to display the nature of peasantry as tough labor. The peasantry spirit in van Gogh’s paintings is further displayed in Patience Escalier. Marie Ginoux Wife of Joseph Ginoux, a friend of van Gogh; owner of van Gogh’s preferred coffee shop, the Café de la Gare. Van Gogh often portrays Arlesiens/Arlesiennes when he resided in Arles in 1888. The gest.... 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