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Catherine Coulter Inez Meyer Biography & Facts

Australian feminist art timeline lists exhibitions, artists, artworks and milestones that have contributed to discussion and development of feminist art in Australia. The timeline focuses on the impact of feminism on Australian contemporary art. It was initiated by Daine Singer for The View From Here: 19 Perspectives on Feminism, an exhibition and publishing project held at West Space as part of the 2010 Next Wave Festival. 1960s 1967 Exhibition: Vivienne Binns, Watters Gallery, Sydney. The exhibition of paintings and sculptures showing symbolic representations of genitalia was considered outrageous at the time. 1967 Artwork: Vivienne Binns, Vag dens, synthetic polymer paint and enamel on composition board. Collection of the National Gallery of Australia, Canberra. 1967 Performance: Yoko Ono and Juno Gemes, The Scream, Ono covered seated Gemes in bandages from ankle to crown while Ono performed a crescendo of screams. This performance was sabotaged by male owners of the club. <International Times> Jay Landesman Kingly Street Gallery and Perfumed Garden, London, UK. 1967 Performance: Juno Gemes and Lawrence Bourke, The Carnivorous Nature of Love, performance with female store mannequin, belly filled with offal. The Model was disemboweled to a recitation of Spencerian Sonnet. Joan Littlewood's Stratford East Theatre, East London, UK. 24 Hours of Performance Art Event. 1968 Performance: The Human Performance Art Group, The Body Eats a Peach Pact Theatre 10 Cunningham Street, Sydney, NSW; La Mama, Melbourne, VIC; Tribe, Brisbane, QLD. Multi Media Performance Group: Laurel Fox, Gillian Jones, Julia Salle, Juno Gemes, Michael Glasheen, Stephen Jones, Brian Thompson, Mick Glasheen, Jack Myers, Tom Barber, Ken Beatty, Jack Jacobson, Garry Shead, Peter Kingston, Andrish St Clare, Clem Gorman, James Ricketson, Albie Thoms, Ubu Films, Roger Fogg Foley-mixed media, performance choreographed, paint, furniture installation, geodesic wood structure, kinetic light installation, steel and wire sculpture, film, sound collage. 1969 Research: Uluru Desert Research Room, Juno Gemes, Michael Glasheen, The Yellow House, Sydney, NSW. Preparation and research for six months in Central Australian Desert, consultation and filming with Pitdjandara, Loritcha, Arrenete Elders and families on stories embedded in Uluru. Women artist/participants in The Yellow House: Little Nell, Antionette Starowitz and Juno Gemes, 1970s 1970 Publication: Germaine Greer publishes The Female Eunuch 1974–1977 Women's Art Movement groups founded in Melbourne, Sydney and Adelaide 1974 Exhibition: A Room of One's Own: Three Women Artists Ewing Gallery, University of Melbourne, co-curated by Kiffy Rubbo, Lynne Cooke and Janine Burke. Artists: Lesley Dumbrell, Julie Irving, Ann Newmarch 1974 Exhibition: Women Photographers, Pram Factory, Carlton, VIC, included work by Ponch Hawkes 1974 Exhibition: Women in the Community, Bondi Pavilion, Bondi, NSW, organised by the Sydney Women's Art Movement 1975 International Women's Year 1975 Research and Collective: Women's Art Register slide collection first established at George Paton Gallery, University of Melbourne. The founders were painters Erica McGilchrist and Lesley Dumbrell and directors of Ewing Gallery and George Paton Galleries, University of Melbourne Kiffy Rubbo and Meredith Rogers. 1975 Lecture: American feminist writer Lucy R. Lippard conducts Australian lecture tour 1975 Festival: First Festival of Women's Culture, Bondi Pavilion, Bondi, NSW 1975 Exhibition: Art and the Creative Woman, Royal South Australian Society of Arts Gallery, Adelaide, SA, organised by the Royal South Australian Society of Arts (RSASA) with entries from fellows of the society and other women artists from across Australia. 1975 Exhibition: Australian Women Artists: 1840–1940, Ewing and George Paton Gallery, University of Melbourne; Art Gallery of NSW; Newcastle Region Art Gallery; Art Gallery of South Australia, curated by Janine Burke. 1975 Exhibition: Ethnic Handicrafts Exhibition, Australia Hotel and Uniting Church, Fitzroy, VIC, organised by social workers, exhibited over 500 handicrafts by migrant women living in Australia 1975 Exhibition: Fantasy and Reality, Wentworth Building, Sydney University, Sydney, NSW, organised by the Sydney Women's Art Movement, included work by Jude Adams, Jenny Barber, Frances Budden, Marie McMahon, Mandy Martin and Toni Robertson 1975 Exhibition: Five Women Artists, Queensland Art Gallery, Brisbane, Qld, exhibited work by Anne Alison-Greene, Bessie Gibson, Vida Lahey, Daphne Mayo and Margaret Olley 1975 Exhibition: It's Great to be an Australian Woman, Women's House, Brisbane, QLD, organised by the Women's Community Aid Association. 1975 Exhibition: Queensland Women Artists' Mixed Media Show, Hogarth Galleries, Sydney, NSW, exhibited sculptures, painting and prints from 36 Australian artists including Jude Adams, Jenny Barber, Frances (Budden) Phoenix, Pamela Harris, Ann Newmarch and Toni Robertson 1975 Exhibition: Six Australian Women Photographers, Australian Centre for Photography, Sydney, NSW; National Gallery of Victoria, Melbourne, VIC 1975 Exhibition: Three Women Photographers, Ewing and George Paton Gallery, Melbourne, VIC, Micky Allan, Virginia Coventry and Sue Ford 1975 Exhibition: Women in Art, Western Australian Institute of Technology, Perth, WA, organised as part of International Women's Year 1975 Artwork: Ann Newmarch Vietnam Madonna 1975 Publication: Refractory Girl: a women's studies journal published a special issue on 'women in the visual arts' 1975 Publication: Hecate: An Interdisciplinary Journal of Women's Liberation established, edited by Carole Ferrier (1975–present) 1975 Research: Women's Studies Resource Centre established, Adelaide, South Australia 1976 Collective: Women's Art Forum established in Melbourne as an offshoot of the Women's Art Register, a platform for community building and peer support through discussion evenings, artists talks and professional development sessions, to augment the Register's collection management work 1976 Publication: Launch of Melbourne-based art journal LIP A Journal of Women in the Visual Arts (1975–1983) 1976 Collective: Women's Art Movement established, Adelaide, South Australia 1976 Education: Jude Adams taught the first Australian feminist art course, 'Women and Art: The Artist as She', at the Workers Educational Association and then at Alexander Mackie College of Advanced Education, Sydney, NSW 1976 Education: Ann Stephen taught 'Women and Art', at Preston Institute of Technology, Preston, VIC 1976 Collective: Dag Printing formed, screenprinting collective, Wendy Black, Angela Gee and Evelyn Vynhal 1977 Research: The Women's Art Register Extension Project (WAREP) begins work on researching of national and historical exhibitions and women artists, to add to the growing archive of contemporary artists. Funding was received from the Victorian Government's School's Board, with work car.... Discover the Catherine Coulter Inez Meyer popular books. Find the top 100 most popular Catherine Coulter Inez Meyer books.