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The Residents are an American art collective and art rock band best known for their avant-garde music and multimedia works. Since their first official release, Meet the Residents (1974), they have released over 60 albums, numerous music videos and short films, three CD-ROM projects, and ten DVDs over the course of over half a century. They have undertaken seven major world tours and scored multiple films. Pioneers in exploring the potential of CD-ROM and similar technologies, the Residents have won several awards for their multimedia projects. They founded Ralph Records, a record label focusing on avant-garde music, in 1972. Throughout the group's existence, the individual members have ostensibly attempted to work anonymously, preferring to have attention focused on their art. Much speculation and rumor has focused on this aspect of the group. In public, they appear silent and costumed, often wearing eyeball helmets, top hats and tails—a costume now recognized as their signature iconography. In 2017, Hardy Fox, long known to be associated with the Residents, identified himself as the band's co-founder and primary composer; he died in 2018. History 1965–1972: Origins and Residents Unincorporated The artists who became the Residents met in high school in Shreveport, Louisiana, in the early 1960s. Around 1965, they began making their first amateur home tape recordings and making art together with a number of friends. In 1966, intending to join the flourishing hippie movement, they headed west for San Francisco, but when their truck broke down in San Mateo, California, they decided to remain there. While attempting to make a living, the group purchased crude recording equipment and began to refine their recording and editing skills, as well as photography, painting, and anything remotely to do with art that they could afford. The Residents have acknowledged the existence of at least two unreleased reel-to-reel items from this era, titled The Ballad of Stuffed Trigger and Rusty Coathangers for the Doctor. The Cryptic Corporation has confirmed that their archives contain many tapes dating back decades, but because they were recorded before the group officially became the Residents, the band does not consider them part of its discography. Word of the unnamed group's experimentation spread, and in 1969 British guitarist and multi-instrumentalist Philip Lithman, later known as Snakefinger, began to participate with them. Around this time they also met the mysterious (and perhaps apocryphal) N. Senada, whom Lithman had picked up during an expedition in Bavaria. The two Europeans became great influences and life-long collaborators with the group. In 1971, the group sent a reel-to-reel demo tape to Hal Halverstadt at Warner Bros., as he had signed Captain Beefheart, one of the group's heroes, to the label. Halverstadt was not impressed with The Warner Bros. Album, but gave it an "A for Ariginality". Because the band had not included a name in the return address, the rejection slip was addressed to "Residents". The group decided to use this name, first becoming Residents Uninc., then shortening it to the current name. The first known public performance of the Residents, Uninc. was at the Boarding House in San Francisco in 1971. The brief, guerrilla-style performance took the audience by surprise. A photo from it, showing Lithman playing violin with his pinky "about to strike the violin like a snake", originated the stage name he used for the rest of his life, Snakefinger. Later in 1971, a second tape was completed called Baby Sex, featuring a long collage partially consisting of recordings from the Boarding House performance. The cover art for the tape box was a silk-screened copy of an old photo depicting a woman fellating a small child, an example of the extremely confrontational and deliberately puerile visual and lyrical style the group adopted during this period. 1972–1980: "Classic" era Santa Dog, Meet the Residents, Not Available & The Third Reich 'n Roll (1972–1976) In early 1972, the band left San Mateo and relocated to 20 Sycamore St, San Francisco; a studio they named "El Ralpho", which boasted a completely open ground floor (seemingly ideal for a sound stage), allowing the group to expand their operations and also begin preliminary work on their most ambitious project up to that point, a full-length film entitled Vileness Fats, which consumed most of their attention for the next four years. Intended to be the first-ever long form music video, the Residents saw this project as an opportunity to create the ultimate cult film. After four years of filming (from 1972 to 1976) the project was reluctantly cancelled because of time, space, and monetary constraints. Fifteen hours of footage was shot for the project, yet only approximately 35 minutes of that footage has ever been released. The group also formed Ralph Records at this time, as a small, independent label to release and promote their own work. In 1972, to inaugurate the new business, the group recorded and pressed the Santa Dog EP, their first recorded output to be released to the public. Designed to resemble a Christmas card from an insurance company, the EP consisted of two 7" singles, one song on each side. The four songs were presented as being by four different bands (Ivory & the Braineaters, Delta Nudes, the College Walkers, and Arf & Omega featuring the Singing Lawnchairs), with only a small note on the interior of the gatefold sleeve mentioning the participation of "Residents, Uninc." They sent copies of Santa Dog to west coast radio stations with no response until Bill Reinhardt, program director of KBOO-FM in Portland, Oregon, received a copy and played it heavily on his show. Reinhardt met the Residents at their studio at 20 Sycamore St. in the summer of 1973 with the news of his broadcasts. The Residents gave Reinhardt exclusive access to all their recordings, including copies of the original masters of Stuffed Trigger, Baby Sex, and The Warner Bros. Album. Throughout this point, the group had been manipulating old tapes they had collected and regularly recording jam sessions, and these recordings eventually became the group's debut full-length album, Meet the Residents, which was released in 1974 on Ralph. To aid in promoting the group, Reinhardt was given 50 of the first 1,000 copies of Meet the Residents. Some were sent to friends, listeners and critics, and two dozen were left for sale on consignment at the Music Millennium record store, where they sat unsold for months. KBOO DJ Barry Schwam (a.k.a. Schwump, who also recorded with the Residents) promoted them on his program as well. Eventually, KBOO airplay attracted a cult following.Following the release of Meet the Residents, the group began working on a follow-up entitled Not Available. Following N. Senada's theory of obscurity, the LP was recorded and compiled completely in private, and would not be released until the group .... Discover the Corey Rosen popular books. Find the top 100 most popular Corey Rosen books.