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Faye Porter Biography & Facts

Alice Faye (born Alice Jeanne Leppert; May 5, 1915 – May 9, 1998) was an American actress and singer. A musical star of 20th Century-Fox in the 1930s and 1940s, Faye starred in such films as On the Avenue (1937) and Alexander's Ragtime Band (1938). She is often associated with the Academy Award–winning standard "You'll Never Know", which she introduced in the 1943 musical film Hello, Frisco, Hello. She left her career as a film actress and became known for her role on the radio show The Phil Harris-Alice Faye Show. Life and career 1915–1933: Early life and career beginnings Alice Jeanne Leppert was born on May 5, 1915, in Hell's Kitchen, Manhattan, the daughter of Alice (née Moffit), who worked for the Mirror Chocolate Company, and Charles Leppert, a police officer. She had an older brother, Charles. Faye was raised an Episcopalian. Faye's entertainment career began in vaudeville as a chorus girl. She failed an audition for the Earl Carroll Vanities when she was found to be too young. She then moved to Broadway and secured a featured role in the 1931 edition of George White's Scandals. By this time, Faye had adopted her stage name and first reached a radio audience on Rudy Vallée's The Fleischmann's Yeast Hour. 1934–1938: Early work Faye gained her first major film break in 1934, when Lilian Harvey abandoned the lead role in a film version of George White's Scandals (1934 film), in which Vallee was also to appear. Hired first to perform a musical number with Vallee, Faye ended up as the female lead. She became a popular film star for audiences of the 1930s, particularly when Fox production head Darryl F. Zanuck made her his protégée. He softened Faye from a wisecracking showgirl to a youthful, and yet somewhat motherly figure, such as her roles in a few Shirley Temple films. Faye received a physical makeover, going from a version of Jean Harlow to a wholesome appearance, in which her platinum hair and pencil-line eyebrows were swapped for a more natural look. Faye was cast as the female lead in In Old Chicago (1938). Zanuck initially resisted casting Faye, as the role had been written for Jean Harlow, but critics applauded Faye's performance. The film contained a 20-minute finale, a recreation of the Great Chicago Fire, a scene so dangerous that women, except for the main stars, were banned from the set. In the film, she appeared with two of her most frequent co-stars, Tyrone Power and Don Ameche, as it was customary for studios to pair their contract players together in more than one film. Faye, Power, and Ameche were reunited for the 1938 release Alexander's Ragtime Band, which was designed to showcase more than 20 Irving Berlin songs; Faye again received strong reviews. One of the most expensive films of its time, it also became one of the most successful musicals of the 1930s. 1939–1940 By 1939, Faye was named one of the top-10 box-office draws in Hollywood. That year, she made Rose of Washington Square with Tyrone Power. Although a big hit, the film was supposedly based on the real life of comedian Fanny Brice, who sued Fox for stealing her story. Because of her bankable status, Fox occasionally placed Faye in films more for the sake of making money than showcasing Faye's talents. Films such as Tail Spin and Barricade (both 1939) were more dramatic than regular Faye films, and often did not contain any songs. Due to her immense popularity, though, none of the films that she made in the 1930s and 1940s lost money; this success garnered her the nickname "Queen of Fox". One of Faye's most memorable parts was the title role in the musical biopic Lillian Russell (1940). Faye always named this film as one of her favorites, though it was also her most challenging role. The tight corsets Faye wore for this picture caused her to collapse on the set several times. After declining the lead role in for Down Argentine Way (also 1940) because of an illness, Faye was replaced by the studio's newest musical star, Betty Grable. She was paired as a sister act opposite Grable in the film Tin Pan Alley (also 1940). During the making of the picture, a rumor arose that a rivalry had arisen between the two. In a Biography interview, Faye disclosed that the Fox publicity department built up the rumor, and that the two actresses were in fact close friends. 1941–1995: Later work In 1941, Fox began to place Faye in musicals photographed in Technicolor, a trademark for the studio in the 1940s. She frequently played a performer, often one moving up in society, allowing for situations that ranged from the poignant to the comic. Films such as Week-End in Havana (1941) and That Night in Rio (1941), in which she played a Brazilian aristocrat, made good use of Faye's husky singing voice, solid comic timing, and flair for carrying off the era's starry-eyed romantic story lines. In 1943, after taking a year off to have her first daughter, Faye starred in the Technicolor musical Hello, Frisco, Hello. Released during World War II, the film became one of her highest-grossing pictures for Fox. In this film, Faye sang "You'll Never Know". The song won the Academy Award for Best Original Song for 1943, and the sheet music for the song sold over a million copies. Since a clause in her contract (as was the case with most other Fox stars) stated that she could not officially record any of her movie songs, other singers, such as Dick Haymes (whose version hit number one for four weeks), Frank Sinatra, and Rosemary Clooney have been more associated with the song than Faye. However, it is still often considered Faye's signature song. That year, Faye was once again named one of the top box-office draws in the world. End of motion picture career As Faye's star continued to ascend during the war years, family life became more important to her, especially with the arrival of a second daughter, Phyllis. After her birth, Faye signed a new contract with Fox to make only one picture a year, with the option of a second one, to give Faye a chance to spend more time with her family. Her second pregnancy resulted in a hospitalization, forcing her to surrender a plum dramatic role in A Tree Grows in Brooklyn to Joan Blondell, and she declined a musical role in The Dolly Sisters (her intended part went to June Haver). Faye finally accepted the lead role in Fallen Angel (1945). Although designed ostensibly as Faye's vehicle, Zanuck tried to build his new protégée Linda Darnell, ordering many of Faye's scenes cut and those of Darnell's emphasized. When Faye saw a screening of the final cut—with her role reduced by 12 scenes and a song number—she wrote a scathing note to Zanuck, went straight to her car, gave her dressing room keys to the studio gate guard, and drove home, vowing never to return to Fox. Faye was still so popular that thousands of letters were sent to Faye's home and the Fox studios from around the world, begging her to return for another picture. In 1987, she told an interviewer, "When I stopped maki.... Discover the Faye Porter popular books. Find the top 100 most popular Faye Porter books.