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An epithet (from Ancient Greek ἐπίθετον (epítheton) 'adjective', from ἐπίθετος (epíthetos) 'additional'), also a byname, is a descriptive term (word or phrase) commonly accompanying or occurring in place of the name of a real or fictitious person, place, or thing. It is usually literally descriptive, as in Alfred the Great, Suleiman the Magnificent, Richard the Lionheart, and Ladislaus the Short, or allusive, as in Edward the Confessor, William the Conqueror, Æthelred the Unready, John Lackland, Mehmed the Conqueror and Bloody Mary. The word epithet also may refer to an abusive, defamatory, or derogatory word or phrase. This use is criticized by Martin Manser and other proponents of linguistic prescription. H. W. Fowler noted in 1926 that "epithet is suffering a vulgarization that is giving it an abusive imputation." Linguistics Epithets are sometimes attached to a person's name or appear in place of their name, as what might be described as a glorified nickname or sobriquet, and for this reason some linguists have argued that they should be considered as pronouns. It has also been argued that epithets are a phenomenon with the syntax–semantics interface, because they have components of both, and also a pragmatic dimension. An epithet is linked to its noun by long-established usage. Not every adjective is an epithet. An epithet is especially recognizable when its function is largely decorative, such as if "cloud-gathering Zeus" is employed other than in reference to conjuring up a storm. "The epithets are decorative insofar as they are neither essential to the immediate context nor modeled especially for it. Among other things, they are extremely helpful to fill out a half-verse", Walter Burkert has noted. Some epithets are known by the Latin term epitheton necessarium, as they are required to distinguish the bearers, as an alternative to numbers after a prince's name—such as Richard the Lionheart (Richard I of England), or Charles the Fat alongside Charles the Bald. The same epithet can be used repeatedly joined to different names, such as Alexander the Great as well as Constantine the Great. Other epithets can easily be omitted without serious risk of confusion and are therefore known as epitheton ornans. Thus, the classical Roman author Virgil systematically called his main hero pius Aeneas, the epithet being pius, meaning religiously observant, humble and wholesome, as well as calling the armsbearer of Aeneas fidus Achates, the epithet being fidus, which means faithful or loyal. Literature Epithets are characteristic of the style of ancient epic poetry, notably in that of Homer or the northern European sagas (see above, as well as epithets in Homer). When James Joyce uses the phrase "the snot-green sea" he is playing Homer's familiar epithet "the wine-dark sea". The phrase "Discreet Telemachus" is also considered an epithet. The Greek term antonomasia, in rhetoric, means substituting any epithet or phrase for a proper name, as "Pelides", signifying the "son of Peleus", to identify Achilles. An opposite substitution of a proper name for some generic term is also sometimes called antonomasia, as a Cicero for an orator. The use of a father's name or ancestor's name, such as "Pelides" in the case of Achilles, or "Saturnia" in the case of the goddess Juno in Virgil's Aeneid, is specifically called a patronymic device and is in its own class of epithet. In William Shakespeare's play Romeo and Juliet, epithets are used in the prologue, such as "star-cross'd lovers" and "death-mark'd love." Epithets were in layman's terms glorified nicknames that could be used to represent one's style, artistic nature, or even geographical reference. They originated to simply serve the purpose of dealing with names that were hard to pronounce or just unpleasant. It from there went to something that could be very significant assigned by elders or counterparts to represent one's position in the community, or it could be a representation of whomever one wanted to be or thought he was. The elegance of this movement was used throughout history and even modern day, with many examples ranging from "Aphrodite the Heavenly & Zeus the Protector of Guests" all the way to "Johnny Football & King James". American comic books tend to give epithets to superheroes, such as The Phantom being "The Ghost Who Walks", Superman called "The Man of Steel", and "The Dynamic Duo" Batman and Robin, who are individually known as "The Dark Knight" and "The Boy Wonder". Additionally, epíteto, the Spanish version of epithet, is commonly used throughout poems in Castilian literature. Religion In many polytheistic religions, such as those of ancient India and Iran (the most ancient of which go back to a common Indo-Iranian period), Greece and Rome, a deity's epithets generally reflected a particular aspect of that god's essence and role, for which their influence may be obtained for a specific occasion: Apollo Musagetes is "Apollo, [as] leader of the Muses" and therefore patron of the arts and sciences, while Phoibos Apollo is the same deity, but as shining sun-god. "Athena protects the city as polias, oversees handicrafts as ergane, joins battle as promachos and grants victory as nike." Alternatively, the epithet may identify a particular and localized aspect of the god, such as a reference to the mythological place of birth or numinous presence at a specific sanctuary: sacrifice might be offered on one and the same occasion to Pythian Apollo (Apollo Pythios) and Delphic Apollo (Apollo Delphinios). A localizing epithet refers simply to a particular center of veneration and the cultic tradition there, as the god manifested at a particular festival, for example: Zeus Olympios, Zeus as present at Olympia, or Apollo Karneios, Apollo at the Spartan Carneian festival. Often the epithet is the result of fusion of the Olympian divinity with an older one. Poseidon Erechtheus and Artemis Orthia reflect intercultural equations of a divinity with an older one that is generally considered its pendan. Thus, most Roman gods and goddesses, especially the Twelve Olympians, had traditional counterparts in Greek, Etruscan, and most other Mediterranean pantheons, such as Jupiter as head of the Olympian Gods with Zeus. But in specific cults there may be a different equation, based on one specific aspect of the divinity. Thus, the Greek word Trismegistos ("thrice grand") was first used as a Greek name for the Egyptian god of science and invention, Thoth, later as an epitheton for the Greek Hermes and, finally, the fully equated Roman Mercurius Mercury (both were messenger of the gods). Among the Greeks, T.H. Price notes that the nurturing power of Kourotrophos might be invoked in sacrifices and recorded in inscription, without specifically identifying Hera or Demeter. Some epithets were applied to several deities of the same pantheon rather accidentally if they had a common characteristic, or deliberately, emphasizing their b.... Discover the Martin Manser popular books. Find the top 100 most popular Martin Manser books.