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An arquebus ( AR-k(w)ib-əs) is a form of long gun that appeared in Europe and the Ottoman Empire during the 15th century. An infantryman armed with an arquebus is called an arquebusier. The term arquebus is derived from the Dutch word Haakbus ("hook gun"). The term arquebus was applied to many different forms of firearms from the 15th to 17th centuries, but it originally referred to "a hand-gun with a hook-like projection or lug on its under surface, useful for steadying it against battlements or other objects when firing". These "hook guns" were in their earliest forms of defensive weapons mounted on German city walls in the early 15th century. The addition of a shoulder stock, priming pan, and matchlock mechanism in the late 15th century turned the arquebus into a handheld firearm and also the first firearm equipped with a trigger. The exact dating of the matchlock's appearance is disputed. It could have appeared in the Ottoman Empire as early as 1465 and in Europe a little before 1475. The heavy arquebus, which was then called a musket, was developed to better penetrate plate armor and appeared in Europe around 1521. Heavy arquebuses mounted on war wagons were called arquebus à croc. These carried a lead ball of about 100 grams (3.5 oz). A standardized arquebus, the caliver, was introduced in the latter half of the 16th century. The name "caliver" is an English derivation from the French calibre – a reference to the gun's standardized bore. The caliver allowed troops to load bullets faster since they fit their guns more easily, whereas before soldiers often had to modify their bullets into suitable fits, or were even forced to make their own prior to battle. The matchlock arquebus is considered the forerunner to the flintlock musket. Terminology The word arquebus is derived from the Dutch word Haakbus ("hook gun"), which was applied to an assortment of firearms from the 15th to 17th centuries. It originally referred to "a hand-gun with a hook-like projection or lug on its under surface, useful for steadying it against battlements or other objects when firing". The first certain attestation of the term arquebus dates back to 1364, when the lord of Milan Bernabò Visconti recruited 70 archibuxoli, although in this case it almost certainly referred to a hand cannon. The arquebus has at times been known as the harquebus, harkbus, hackbut, hagbut, archibugio, haakbus, schiopo, sclopus, tüfenk, tofak, matchlock, and firelock. Musket The musket, essentially a large arquebus, was introduced around 1521, but fell out of favor by the mid-16th century due to the decline of armor. The term, however, remained and musket became a generic descriptor for smoothbore gunpowder weapons fired from the shoulder ('shoulder arms') into the mid-19th century. At least on one occasion "musket" and "arquebus" were used interchangeably to refer to the same weapon, and even referred to as an "arquebus musket". A Habsburg commander in the mid-1560s once referred to muskets as "double arquebuses". The matchlock firing mechanism also became a common term for the arquebus after it was added to the firearm. Later flintlock firearms were sometimes called fusils or fuzees. Mechanism and usage Prior to the appearance of the serpentine lever by around 1411, handguns were fired from the chest, tucked under one arm, while the other arm maneuvered a hot pricker to the touch hole to ignite the gunpowder. The matchlock, which appeared roughly around 1475, changed this by adding a firing mechanism consisting of two parts, the match, and the lock. The lock mechanism held within a clamp a 60-to-90 cm (2-to-3 ft) long length of smoldering rope soaked in saltpeter, which was the match. Connected to the lock lever was a trigger, which lowered the match into a priming pan when squeezed, igniting the priming powder, causing a flash to travel through the touch hole, also igniting the gunpowder within the barrel, and propelling the bullet out the muzzle. While matchlocks provided a crucial advantage by allowing the user to aim the firearm using both hands, it was also awkward to utilize. To avoid accidentally igniting the gunpowder the match had to be detached while loading the gun. In some instances the match would also go out, so both ends of the match were kept lit. This proved cumbersome to maneuver as both hands were required to hold the match during removal, one end in each hand. The procedure was so complex that a 1607 drill manual published by Jacob de Gheyn in the Netherlands listed 28 steps just to fire and load the gun. In 1584 the Ming General Qi Jiguang composed an 11-step song to practice the procedure in rhythm: "One, clean the gun. Two, pour the powder. Three, tamp the powder down. Four, drop the pellet. Five, drive the pellet down. Six, put in paper (stopper). Seven, drive the paper down. Eight, open the flashpan cover. Nine, pour in the flash powder. Ten, close the flashpan, and clamp the fuse. Eleven, listen for the signal, then open the flashpan cover. Aiming at the enemy, raise your gun and fire." Reloading a gun during the 16th century took anywhere from 20 seconds to a minute under the most ideal conditions. The development of volley fire—by the Ottomans, the Chinese, the Japanese, and the Dutch—made the arquebus more feasible for widespread adoption by the military. The volley fire technique transformed soldiers carrying firearms into organized firing squads with each row of soldiers firing in turn and reloading in a systematic fashion. Volley fire was implemented with cannons as early as 1388 by Ming artillerists, but volley fire with matchlocks was not implemented until 1526 when the Ottoman Janissaries utilized it during the Battle of Mohács. The matchlock volley fire technique was next seen in mid-16th-century China as pioneered by Qi Jiguang and in late-16th-century Japan. Qi Jiguang elaborates on his volley fire technique in the Jixiao Xinshu: All the musketeers, when they get near the enemy are not allowed to fire early, and they're not allowed to just fire everything off in one go, [because] whenever the enemy then approaches close, there won't be enough time to load the guns (銃裝不及), and frequently this mismanagement costs the lives of many people. Thus, whenever the enemy gets to within a hundred paces' distance, they [the musketeers] are to wait until they hear a blast on the bamboo flute, at which they deploy themselves in front of the troops, with each platoon (哨) putting in front one team (隊). They [the musketeer team members] wait until they hear their own leader fire a shot, and only then are they allowed to give fire. Each time the trumpet gives a blast, they fire one time, spread out in battle array according to the drilling patterns. If the trumpet keeps blasting without stopping, then they are allowed to fire all together until their fire is exhausted, and it's not necessary [in this case] to divide into layers. In Europe, William Louis, Count of Nassau-Dillenbu.... Discover the C Y Croc popular books. Find the top 100 most popular C Y Croc books.

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  • Holy Bible synopsis, comments

    Holy Bible

    The Church of Jesus Christ of Latter-day Saints

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    Nothing to Hide

    Scarlett Finn

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    Dark Psychology and Manipulation

    Margaret Morrison

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    Dream Psychology

    Sigmund Freud

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    Bewitching a Highlander

    Roma Cordon

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    Colleen Hoover

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    Kristin MacQueen

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    Good Guy

    Kate Meader

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    Christmas in Sweetbriar Cove

    Melody Grace

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  • Meditations synopsis, comments

    Meditations

    Emperor of Rome Marcus Aurelius

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    Inception of Gold

    Lexy Timms

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    Teach Me

    Cassandra Dean

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    All Fired Up

    Kathryn Shay

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    The Odyssey

    Homer

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    Masters of Restraint

    Ines Johnson

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    Pretty Little Lies

    Ivy Thorn

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    The Art of War

    Sun Tzu

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    A Bookshop to Die For

    M.P. Black

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    Claire Raye

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    His Own Heaven

    Jennie Kew

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    Lexy Timms

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    Tempting the King

    Jessa York

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    Jordan Hollis

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    Lacey Silks

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    Enemies With Benefits

    Roxie Noir

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    Khardine Gray

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    The Count of Monte Cristo

    Alexandre Dumas

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    Saltwater Cove

    Amelia Addler

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    Escape, A New Life

    David J Antocci

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    The Scarlet Letter

    Nathaniel Hawthorne

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    Once Upon A One-Night Stand

    Zoey Locke

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    Teased by Fire

    Molly O'Hare

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    Eternal

    W.J. May

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    Peace on Earth

    Maia Ross

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    Dracula

    Bram Stoker

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    Get Lucky

    Lila Monroe

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    Coffee Girl

    Sophie Sinclair

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    A Christmas Carol

    Charles Dickens

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    How to Choose a Guy in 10 Days

    Lila Monroe

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    Man In The Water

    Jon Hill

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    The Next Girl

    Carla Kovach

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    The Three Little Pigs

    Mark Lesky

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    Noxious

    Lexy Timms

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    The Target

    Lexy Timms

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    The Icing on the Cake

    Linda Seed

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  • Death at Hazel House synopsis, comments

    Death at Hazel House

    Betty Rowlands

    ‘Riveting, can't put it down! I love this story… a wonderfully twisted tale of a crime that has more twists than I thought possible... fantastic.’ Goodreads Reviewer, 5 stars ...

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    Silenced Girls

    Roger Stelljes

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  • Pride and Prejudice synopsis, comments

    Pride and Prejudice

    Jane Austen

    An Apple Books Classic edition. Jane Austen’s beloved classic opens with this witty and very memorable line: “It is a truth universally acknowledged, that a single man in possessio...

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    School of Potential

    W.J. May

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    Awaken Me

    Jenna Jacob

    He was more than a ghost haunting my dreams…he was real. By day, I’m Julianna Garrett …a prim, proper accountant. By night, I’m tormented by dreams of an alpha, ambereyed Adonis wh...