Hans Fallada Michael Hofmann Popular Books

Hans Fallada Michael Hofmann Biography & Facts

Hans Fallada (German: [hans ˈfa.la.da] ; born Rudolf Wilhelm Friedrich Ditzen; 21 July 1893 – 5 February 1947) was a German writer of the first half of the 20th century. Some of his better known novels include Little Man, What Now? (1932) and Every Man Dies Alone (1947). His works belong predominantly to the New Objectivity literary style, a style associated with an emotionless reportage approach, with precision of detail, and a veneration for 'the fact'. Fallada's pseudonym derives from a combination of characters found in the Grimm's Fairy Tales: The titular protagonist of Hans in Luck (KHM 83), and Falada the magical talking horse in The Goose Girl. Early life Fallada was born in Greifswald, Germany, the child of a magistrate on his way to becoming a supreme court judge and a mother from a middle-class background, both of whom shared an enthusiasm for music, and to a lesser extent, literature. Jenny Williams notes in her biography More Lives than One (1998), that Fallada's father would often read aloud to his children works by authors such as Shakespeare and Schiller. In 1899, when Fallada was 6, his father relocated the family to Berlin following the first of several promotions he would receive. Fallada had a very difficult time upon first entering school in 1901. As a result, he immersed himself in books, eschewing literature more in line with his age for authors such as Flaubert, Dostoevsky, and Dickens. In 1909 the family again relocated, to Leipzig, following his father's appointment to the Imperial Supreme Court. In 1909 (age 16), he was run over by a horse-drawn cart, then kicked in the face by the horse. This mishap plus the contraction of typhoid in 1910 (age 17) seem to mark a turning point in Fallada's life. His lifelong drug problems were born of the pain-killing medications he was taking as the result of his injuries. These issues manifested themselves in multiple suicide attempts. In 1911 he made a pact with a friend, Hanns Dietrich von Necker, to stage a duel to mask their suicides, feeling that the duel would be seen as more honorable. However, because of both boys' inexperience with weapons, it was a bungled affair. Dietrich missed Fallada, but Fallada did not miss Dietrich, killing him. Fallada was so distraught that he picked up Dietrich's gun and shot himself in the chest, but somehow survived. Nonetheless, the death of his friend ensured his status as an outcast from society. Although he was found innocent of murder by reason of insanity, from this point on he would undergo multiple stints in mental institutions. At one of these institutions, he was assigned to work in a farmyard, thus beginning his lifelong affinity for farm culture. Writing career and encounters with National Socialism While in a sanatorium Fallada took to translation and poetry, albeit unsuccessfully, before finally breaking ground as a novelist in 1920 with the publication of his first book Der junge Goedeschal ("Young Goedeschal"). During this period he also struggled with morphine addiction, and the death of his younger brother in the First World War. In the wake of the war, Fallada worked at several farmhand and other agricultural jobs in order to support himself and finance his growing drug addiction. While before the war Fallada relied on his father for financial support while writing, after the German defeat he was no longer able, or willing, to depend on his father's assistance. Shortly after the publication of Anton und Gerda Fallada reported to prison in Greifswald to serve a 6-month sentence for stealing grain from his employer and selling it to support his drug habit. Less than 3 years later, in 1926, Fallada again found himself imprisoned as a result of a drug and alcohol-fueled string of thefts from employers. In February 1928 he finally emerged free of addiction. Fallada married Anna "Suse" Issel in 1929 and maintained a string of respectable jobs in journalism, working for newspapers and eventually for the publisher of his novels, Rowohlt. It is around this time that his novels became noticeably political and started to comment on the social and economic woes of Germany. His breakthrough success came in 1930/1931 with A Small Circus (German: Bauern, Bonzen und Bomben; "Peasants, Bosses and Bombs") based on the history of the Rural People's Movement in Schleswig-Holstein and the farmers' protest and boycott of the town of Neumünster. Williams notes that Fallada's 1930/31 novel "..established [him] as a promising literary talent as well as an author not afraid to tackle controversial issues". Martin Seymour-Smith said it is one of his best novels, "it remains one of the most vivid and sympathetic accounts of a local revolt ever written." The great success of Kleiner Mann - was nun? (Little Man, What Now?) in 1932, while immediately easing his financial straits, was overshadowed by his anxiety over the rise of national socialism and a subsequent nervous breakdown. Although none of his work was deemed subversive enough to warrant action by the Nazis, many of his peers were arrested and interned, and his future as an author under the Nazi regime looked bleak. A German film of the book was made by Jewish producers at the end of 1932, and this earned Fallada closer attention by the rising Nazi Party. The film, unlike the US film of 1934, bore little resemblance to the novel, and was finally released after many cuts by the Nazi censors in mid-1933. These anxieties were compounded by the loss of a baby only a few hours after childbirth. However he was heartened by the great success of Little Man, What Now? in Great Britain and the United States, where the book was a bestseller. In the U.S., it was selected by the Book of the Month Club, and was even made into a Hollywood movie, Little Man, What Now? (1934). Meanwhile, as the careers, and in some cases the lives, of many of Fallada's contemporaries were rapidly drawing to a halt, he began to draw some additional scrutiny from the government in the form of denunciations of his work by Nazi authors and publications, who also noted that he had not joined the Party. On Easter Sunday, 1933, he was jailed by the Gestapo for "anti-Nazi activities" after one such denunciation, but despite a ransacking of his home no evidence was found and he was released a week later. After Adolf Hitler's rise to power in 1933, Fallada had to make a few changes to the novel that removed anything that showed the Nazis in a bad light: a Sturmabteilung (SA) thug had to be turned into a soccer thug, for example, and the book stayed in print until 1941, after which war time paper shortages curtailed the printing of novels. In 2016, a complete edition was published in Germany that added about 100 pages to the original 400 pages in the 1932 edition. The cuts had been made with Fallada's consent by his publisher Ernst Rowohlt. German reviewers agreed that the tone and the structure of the novel had not suffered from the cuts, but that the restor.... Discover the Hans Fallada Michael Hofmann popular books. Find the top 100 most popular Hans Fallada Michael Hofmann books.