Dylan Struzan Drew Struzan Popular Books

Dylan Struzan Drew Struzan Biography & Facts

Drew Struzan (; born March 18, 1947) is an American artist, illustrator and cover designer. He is known for his more than 150 movie posters, which include The Shawshank Redemption, Blade Runner, E.T. the Extra-Terrestrial, as well as films in the Indiana Jones, Back to the Future, and Star Wars film series. He has also painted album covers, collectibles, and book covers. Early life Struzan was born on March 18, 1947, in Oregon City, Oregon. In 1965, at age 18, he enrolled at the ArtCenter College of Design, then in West Los Angeles. Career Early career A counselor asked Struzan about his interests and told him he had a choice between fine art or illustration. The counselor described the two careers, telling Struzan that as a fine artist he could paint whatever he wanted, but as an illustrator he could paint for money. Struzan chose to be an illustrator, saying, "I need to eat." In his first year, he married and became a father. Struzan worked his way through school by selling his artwork and accepting small commissions. He graduated in five years, earning a Bachelor of Arts degree with honors. He also completed two years of graduate studies, and eventually returned to the school in later years, after the campus relocated to Pasadena, California, to teach for a short time. About his career, Struzan has said: "I was poor and hungry, and illustration was the shortest path to a slice of bread, as compared to a gallery showing. I had nothing as a child. I drew on toilet paper with pencils – that was the only paper around. Probably why I love drawing so much today is because it was just all I had at the time." After graduating from college, Struzan remained in Los Angeles, and a trip to an employment agency found him a job as a staff artist for Pacific Eye & Ear, a design studio. There he began designing album covers under the direction of Ernie Cefalu, relishing the creative aspects the 12x12" size the record packaging afforded him. Over the next 5 years, he would create album cover artwork for a long line of musical artists, including Tony Orlando and Dawn, The Beach Boys, Bee Gees, Roy Orbison, Black Sabbath, Glenn Miller, Iron Butterfly, Bach, Earth, Wind & Fire, and Liberace. He also illustrated the t-shirt that George Carlin wears on the front and back cover of his album Toledo Window Box. Among these, Struzan illustrated the album cover artwork for Alice Cooper's Welcome to My Nightmare, which Rolling Stone would go on to vote one of the Top 100 Album Covers Of All Time. Despite the burgeoning demand for his talents, however, Struzan was still only earning $150 to $250 per album cover. Airbrushed one-sheets Along with a friend with a background in the movie industry, Struzan started a small company, Pencil Pushers, in a collaboration that would last eight years. It was during this time that he honed his distinctive one-sheet style and first became proficient in the use of the airbrush, which would later define him as a master of the tool. His first film poster works started appearing in 1975, although in those early days Struzan mainly did artwork for B-movies, such as Empire of the Ants, Food of the Gods, and Squirm. While his talent steadily grew in demand, it was his work done for a major science-fiction movie that would establish Struzan and his work in the public eye forever. In 1977 fellow artist Charles White III, well known for his own airbrush prowess, had been hired by David Weitzner, Vice President of advertising at 20th Century Fox, to create a poster design for the 1978 re-release of Star Wars. White, uncomfortable with portraiture, asked Struzan for his help on the project. As such, Struzan painted the human characters in oil paints and White focused on the ships, Darth Vader, C-3PO, and all the mechanical details of the poster art. The unique poster design, popularly called the "Circus" poster, depicts what appears to be a torn posted bill on a plywood construction site wall. "It was necessity that invented that," Struzan explains. "They found out there wasn't enough room for the typography and the billing block they had left in the design. What can we do to make more space on a poster that's already been printed? Let's pretend it's posted, then they can put the type below the actual poster. We painted Obi-Wan down the side and stuff across the bottom to make it wider and deeper." Throughout the 1970s and 1980s, Struzan produced poster work for such films as Blade Runner, The Thing, The Cannonball Run, the Police Academy series, Back to the Future, Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade, E.T. the Extra-Terrestrial, The Muppet Movie, Coming to America, First Blood, Risky Business, D.C. Cab, Stroker Ace, Batteries Not Included, An American Tail, and The Goonies. By the 1980s, Struzan was producing approximately ten poster designs a year. During this period, Struzan continued his association with Lucas by designing the original Industrial Light & Magic logo, and creating the associated one-sheet artwork for both the continuing Star Wars saga and the Indiana Jones series of films. In the process, Struzan's work became, in the public mind, the defining visual images representing those series. As such, he was also sought after to create new artwork for re-releases and reissues on video and DVD, book covers, theme-park rides and video game titles for those properties. 1990s–2000s In the 1990s, with the advent of computers and digital manipulation of images utilized to create poster art, Struzan was affected by the decline of traditionally illustrated poster art. While continuing to create artwork for such 1990s and 2000s films as Hook, Hellboy and the American poster for Harry Potter and the Philosopher's Stone, he started exploring other outlets for his work, including comic books, limited-edition art, and the collectible market. As such, his work has been featured on such diverse items as Franklin Mint collectible plates, including a twelve-piece set commemorating the life of Princess Diana, the 1996 cover for Parker Brothers board game Clue, and over 30 U.S. postage stamps, including the 2004 John Wayne stamp and the 2007 James Stewart stamp. Struzan once lamented on the decline of traditional art in an e-mail exchange: I love the texture of paint made of colored earth, of oil from the trees and of canvas and paper. I love the expression of paint from a brush or a hand smearing charcoal, the dripping of paint and moisture of water, the smell of the materials. I delight in the changeable nature of a painting with new morning light or in the afternoon when the sun turns a painting orange or by firelight at night. I love to see it, hold it, touch it, smell it, and create it. My gift is to share my life by allowing others to see into my heart and spirit through such tangible, comprehensible and familiar means. The paint is part of the expression. From 1995 through 1997, Struzan's work was shown through.... Discover the Dylan Struzan Drew Struzan popular books. Find the top 100 most popular Dylan Struzan Drew Struzan books.