Tracey West Matt Loveridge Popular Books

Tracey West Matt Loveridge Biography & Facts

Tracy-Ann Oberman (born Tracy Anne Oberman; 25 August 1966) is an English actress, playwright and narrator. She is known for roles including Chrissie Watts in the BBC soap opera EastEnders (2004–2005) and Valerie Lewis or "Auntie Val" in the Channel 4 sitcom Friday Night Dinner (2011–2020). Following training at the Central School of Speech and Drama in London, Oberman spent four years with the Royal Shakespeare Company, before joining the National Theatre. Her theatrical experience includes appearing with Kenneth Branagh in David Mamet's Edmond (2003) and a run in the West End revival of Boeing-Boeing (2007–2008). She appeared in a production of Earthquakes in London in its 2011 run as Sarah Sullivan. Oberman has performed in more than 600 radio plays since the mid-1990s. Oberman's TV credits have also included Doctor Who, Mistresses, Robin Hood, and Doctors. Before EastEnders, Oberman appeared in a variety of television programmes including Casualty (1997–1998), Kiss Me Kate (1998), and The Bill (2000), and carved out a comedic niche with leading roles in Bob Martin (2000–2001), Lenny Henry in Pieces (2000–2003), Big Train (2002), and Toast of London (2013–2015). She had a recurring role in the penultimate and last series of procedural comedy-drama New Tricks (2014–2015) as Fiona Kennedy, a forensic pathologist. Oberman appeared in Tracey Ullman's Show and Tracey Breaks the News from 2016 to 2018. Oberman has contributed to several radio sketch shows and, in 2008, co-authored with Diane Samuels the play 3 Sisters on Hope Street. In 2010, she wrote and starred alongside Catherine Tate in her BBC Radio 4 play Bette and Joan and Baby Jane and in 2012 wrote the BBC Radio 4 play Rock and Doris and Elizabeth. In 2015 she wrote and starred in the third part of her Hollywood Trilogy for BBC Radio 4, Mrs. Robinson, I Presume, alongside John Simm and Kevin Bishop. Oberman was a regular columnist for The Guardian newspaper during 2007, for which she is still an occasional contributor. She was a regular contributor to The Jewish Chronicle (2009–2017) and also contributes to Red magazine. Early life and education Oberman was born in Brent, Greater London, and is of Jewish background. She grew up in North London, attending Heathfield School for Girls, before going on to study Classics at Leeds University; however, after a year she moved to Manchester University to pursue drama. After graduating she was accepted into the Central School of Speech and Drama, where she trained as an actor. In 1991, Oberman studied for a term at the Moscow Art Theatre School as part of her training. Oberman has spoken of how her drive for professionalism was a result of her parents' initial concern with her career choice. As she came from a strong legal background, her family "weren't wildly happy" about her desire to become an actress: "My parents were always making me watch Rumpole of the Bailey, going 'You see? It's just like acting, you make things up, you wear a wig and a funny outfit. Why not the law?' But I just always wanted to act, as far back as I remember." Her joining the Royal Shakespeare Company though, finally won her parents over. However, in a 2004 interview, Oberman noted that her father's death seven years earlier prevented his seeing the development of her career and her national success as an actor: "I've come a long way in my career since he died and I wish he was here to see it. He was a big EastEnders fan so I know he'd be very, very proud of me." Acting Theatre After leaving the Central School of Speech and Drama, Oberman joined the Royal Shakespeare Company. In 1993 she took part in the RSC's award-winning production of Christopher Marlowe's Tamburlaine as "Olympia". This was followed by roles in The Changeling, as "Diaphanta", A Jovial Crew in the part of "Joan Cope", and The Beggar's Opera where she played Molly Brazen. In 1994 she completed her run at the RSC playing in Macbeth and A Christmas Carol. After performing in several West End productions, Oberman played at the Royal National Theatre in Clifford Odets' Waiting for Lefty during 1999. This was followed by starring in School Play at the Soho Theatre. The play was lauded by The Guardian critic Michael Billington as a "remarkable" production, praising Oberman for her successful portrayal of Miss Fay as "the teacher torn between her career and her pupil's potential". In 2003, Oberman returned to the National in Edmond, playing opposite Kenneth Branagh. Her role as wife to Branagh's title character was well received by some critics, Norman Miller in a BBC News review commended Oberman for making a particular "impression". That year also saw her star in Hello and Goodbye at the Southwark Playhouse. According to Fiona Mountford in The Evening Standard, the production was "given the outing of its life by" Oberman and her co-star, Zubin Varla. The review in The British Theatre Guide was similarly positive, praising Oberman who "rages away" in the role of "Hester", and delivers "one of the best performances in town". She took a couple of years away from acting with the birth of her daughter in August 2006. At the end of 2007 she returned full-time to work in the West End revival of Boeing-Boeing, playing "Gretchen" opposite Jean Marsh and Jennifer Ellison. In July 2008 Oberman starred in the world premiere of On the Rocks as Frieda Lawrence, wife of novelist D. H. Lawrence. The play, by Amy Rosenthal, follows the marriage of the Lawrences during one idyllic summer in 1916, most reviews following the line taken by Benedict Nightingale of The Times in declaring Oberman to have given a "fine performance... as a gloriously sensual, blowsily defiant Frieda". In 2011, she played in the touring production of Earthquakes in London by Mike Bartlett which was an updated version of the National Theatre / Headlongs production earlier that year. In December 2012 Oberman returned to the stage at the Hampstead Theatre in the premiere of Old Money by Sarah Wooley directed by Terry Johnson. In 2015, Oberman played the role of Isabella Blow in the play McQueen, at the St James Theatre, London. Radio Oberman has appeared in over 600 radio plays. She has acted in radio drama and radio comedy, appearing regularly on BBC Radio 4 as a member of the station's unofficial "repertory" company, including; The Way It Is (1998–2001), the leading role in The Attractive Young Rabbi (1999–2002), The Sunday Format (1999–2004), and Getting Nowhere Fast. At the end of 2009, Oberman returned to radio to star in "Gregory Evans' mind-boggling play" Shirleymander for Radio 4, with reviewer Moira Petty describing Oberman's turn as Dame Shirley Porter as "freakishly real". In 2010, Oberman remained with the radio medium, performing opposite Catherine Tate. Television and EastEnders Her first major television role was in 1997 when she was cast as Zoe Gerrard, a security officer in the medical drama Casualty. In 1998, she joined the cast of Comedy Nation.... Discover the Tracey West Matt Loveridge popular books. Find the top 100 most popular Tracey West Matt Loveridge books.

Best Seller Tracey West Matt Loveridge Books of 2024

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    Alexandre Dumas

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    Roxie Noir

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    Roger Stelljes

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    Louisa May Alcott

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    The Church of Jesus Christ of Latter-day Saints

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    Scarlett Finn

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    Maia Ross

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    Jenna Jacob

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    Charles Dickens

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    Jon Hill

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    Sigmund Freud

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    Colleen Hoover

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    King James

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    Claire Raye

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    W.J. May

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    Emily Brontë

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    Zoey Locke

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    Nathaniel Hawthorne

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    Molly O'Hare

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    Sybil Bartel

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    Bram Stoker

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    Betty Rowlands

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    Kimber White

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    Meditations

    Emperor of Rome Marcus Aurelius

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    C. S. Lewis

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    Lexy Timms

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    Melody Grace

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    The Stoic Mind

    Addy Osmani & GoLimitlesss

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    Margaret Morrison

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    How to Choose a Guy in 10 Days

    Lila Monroe

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    The Target

    Lexy Timms

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    His Own Heaven

    Jennie Kew

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    The Icing on the Cake

    Linda Seed

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    Mark Lesky

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    A Bookshop to Die For

    M.P. Black

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    The Art of War

    Sun Tzu

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    The Next Girl

    Carla Kovach

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    Masters of Restraint

    Ines Johnson

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    All Fired Up

    Kathryn Shay

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